Dough of the Dead is based around a small pizzeria around closing time, when, for an unknown reason, customers begin turning into zombies. Two slacker pizza makers must try to save the day... and, for one, get the girl.

A cafeteria owner has problems with gangsters and gets more trouble by hiring 'Fatty' Arbuckle and chef.

Lenny Rosenberg and Adesa Swan co-host this hot new show while they travel across the country to find food businesses that need their help. They buy the owners out or they invest with them while using there own money to make the food establishment a winner. Lenny uses his skills from the experience of buying and selling over 25 retail stores and Adesa uses her expertise that she has preformed in design and decor from coast to coast. Together they make a unstoppable team.

Malou is a woman living in a fancy Stockholm suburb, but her successful facade is on the verge of collapsing . When she happens to stumble across 47 million SEK from a robbery, she opens up a bakery in order to launder the money. Liana is an indebted single mom who was abandoned when her ex got arrested for that same robbery. When Liana unwillingly gets involved in the hunt for the money, the two women's paths cross.

In Dough, women are squished alone into tiny compartments like boxed jewels or battery farm hens. With their cells linked by a system of tubes, shoots and holes, they all perform bizarre functions in a production line. This culminates with a teardrop drawn by sniffing flowers, which runs down a huge woman's dimpled legs and then drips off her toe through a hole in the floor to impregnate a lump of dough beneath, which is then vacuum-packed. It shows a neat division of labour in the creation of pointless products, with implications that reach way beyond the beauty industry, to capitalism's mindless cycle of production and consumption. Rottenberg's boxed-in workforce has much to say about a culture that at once idolises, fetishises and exploits women's bodies – from female sweatshop workers to the desirable distortions of pin-up girls. Works like Dough first made the Buenos Aires-born, New York-based artist's name in the mid-2000s. More recently, she's broadened her vision, tackling globalisation and a shrinking world. https://www.guggenheim.org/artwork/17312

Eaters of the Dead is a near-future dystopian tale that explores the fate of several individuals in a world running out of food and where the rich have seized power and now harvest the poor.

An unemployed man who lives with his wife and overbearing mother-in-law sees an opportunity to relieve himself of the old bat, which tangles him in a maze of deception.

A thirteen year old kid, "the boy", lives and works in a cemetery. The cemetery is his whole life, and growing up with the dead instills in him an obsession and respect for death. His friends depend on him: An unhappy old man, a former political prisoner yearning for death, and makeup artist for deceased, a former artist who dreams of painting a masterpiece. The boy does what he can to help them. The old man attempts suicide, but upon learning the date of his death and seeing his beautiful plot chosen for him by the boy, he is able to bear his life. Upon meeting the beautiful Maria, "the boy" gives the former artist a surprise date with her. But when Maria and the artist become closer, the boy realizes that she is the daughter of the old man. The kid thinks the old man would die unhappy if he knew of her existence and so decides to hide the truth.

The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.

Drag queens and club kids battle zombies craving brains during a zombie outbreak at their drag show in Brooklyn, putting personal conflicts aside to utilize their distinct abilities against the undead threat.